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Shortcut storyboard pro thumbnail12/18/2023 In the Tools toolbar, select the Brush tool or press +.In the Thumbnails or Stage view, select a layer to draw on.In the Thumbnails or Timeline view, select the panel on which you want to draw.The Brush tool is pressure sensitive and lets you create a contour shape with a thick and thin line effect, as if the drawing was made with a brush. If you want sketch a drawing using a semi-transparent colour to get a paper-like feel, then use the Brush tool as it produces a more realistic and natural feel. If creative colour treatments, 3D editing or iPad support is on the agenda, this is the editor to get.The Brush tool is used to draw and sketch on vector and bitmap layers. We prefer Sony Movie Studio Platinum’s marginally more fluid timeline controls and superior colour correction, but choosing between the two is more a matter of priorities than objective strengths and weaknesses. The iPad app and 3D editing is relatively niche, but the Storyboard and Trim mode should benefit everyone. It builds on Avid Studio’s strong foundation with a range of well-implemented, genuinely useful new features. It can be unnerving for existing users when software changes owners, but it looks like Studio is in safe hands. We hope our results are the exception to the rule, but it’s worth experimenting with this setting in the Control Panel to see which gives best results. Thankfully, CUDA acceleration can be turned off, and we were able to restore performance to previous levels. Avid Studio could play five on the same PC. Pinnacle Studio 16 could only play two simultaneous streams in our standard preview test, which involves stacking multiple AVCHD streams and mixing them together using variable opacity. Studio now uses nVidia CUDA acceleration to handle H.264 decoding, and in Corel’s own tests this gave a notable improvement to preview performance for AVCHD editing. We found it useful not only for reordering clips, but also as a way to navigate the project without having to zoom in and out of the timeline. Here, the Storyboard appears just above the timeline, allowing both to be used simultaneously. However, it looks tidier than the timeline and makes it easy to reorder clips. Unlike timeline editing, it gives no indication of the length of each clip, and it doesn’t work when arranging clips on multiple tracks. This is a common feature in entry-level editors, where a thumbnail represents each clip. The iPad app was also the inspiration for a clever spin on the storyboard-editing concept. It’s an extremely welcome feature for adjusting edits with frame-accurate precision – something that’s often quite fiddly in consumer editors. It bears more than a passing resemblance to features in Premiere Pro CS6, right down to the ability to loop around the edit point, although this version stops playback whenever adjustments are made. These edit points can be shifted one or ten frames at a time using keyboard shortcuts.Ĭlicking on a preview monitor dictates which clip is adjusted, and Ctrl-clicking moves them together so the overall length of both clips is unaffected. One is Trim mode, which uses dual preview monitors showing the last frame of a clip beside the first frame of the following clip. The iPad app has inspired a couple of new features in the desktop version. Selecting, ordering and truncating clips is arguably the most important, and yet the most tedious part of video production, so the ability to get started in the hotel room or on a long journey home is extremely welcome. Projects can be transferred from iPad to Windows for further editing, either via iCloud, or, more realistically considering the large file sizes, iTunes.
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